CUBA
NEWS
The
Miami Herald
Report: Cuban requested asylum
Officials deny it occurred
From Herald Staff and Wire Reports.
Posted on Wed, Aug. 13, 2003
SANTO DOMINGO - The organizing committee of the
XIV Pan American Games denied reports that a Cuban
cyclist requested political asylum during Tuesday
morning's competition.
''At this moment we have received no request
for asylum from anyone,'' said Ramón Emilio
Jiménez, the committee's executive vice
president.
Security has been extremely tight around Cuba's
Pan Am delegation, especially after an incident
last week in which Dominican and Cuban intelligence
agents detained a man they said was trying to
convince baseball players to defect. Fear of defections
also persuaded Cuba to leave five of its top baseball
players home following the desertion of pitcher
José Contreras in Mexico last October.
Eight Cubans defected during the last Pan Am
Games in Winnipeg in 1999.
Venezuelans cheer and protest presence of doctors
from Cuba
By Frances Robles. Frobles@herald.com. Posted
on Wed, Aug. 13, 2003.
CARACAS - When poor Venezuelans like Jenny Preciado
fall ill, they must leave their distant slums
and arrive at public clinics by 6 a.m., lest they
miss being one of 20 patients assigned a number
for a chance to see a doctor that day.
''Sometimes it is so packed, you just don't get
a number,'' Preciado said, standing outside her
barrio's new makeshift clinic, manned by a Cuban
doctor. "This town is never letting this
new doctor go.''
While the poorest of Venezuela's poor beam over
the arrival of up to 1,000 Cuban doctors who have
been assigned to low-income neighborhoods and
even make house calls, their influx has enraged
others who see them as another example of leftist
President Hugo Chávez's quest to ''Cubanize''
this nation.
Doctors, literacy trainers, sports coaches and
agronomists have openly poured into Venezuela
in past months. Allegations of Cuban advisors
in the armed forces, police and Chávez's
presidential offices bubble up occasionally but
have never been proven. Internet gossips talk
of Cuban ships and planes bringing arms to pro-Chávez
militias but offer no evidence.
Venezuela's increasing reliance on Cuban experts
illustrates the ever-warming relations between
President Fidel Castro and Chávez, a self-proclaimed
''revolutionary'' who has said that Cubans ''swim
in a sea of happiness.'' It has even become a
source of concern in Washington.
A recent editorial in the El Nacional newspaper
declared that "Venezuela is being colonized
by Cuba. For everything, the government looks
to Cuba, consults with Cuba and tries to read
the signs coming from Cuba. We cannot do anything
without approval from Havana.''
RICH VS. POOR
But the Cubans' presence here also underscores
the deep-seated divisions between Venezuela's
rich and poor. While Chávez's mostly middle-
and upper-class opponents decry the Cubans' services
as political brainwashing, few Venezuelans seem
willing to take their places.
''The doctors here in Venezuela are involved
in politics, not taking care of patients,'' Preciado
said. "We want our children taken care of,
and that's it.''
Preciado lives in Cipres, one of the many slums
in the hills surrounding Caracas. Plagued by poverty
and crime, the barrios are considered a no man's
land where no Venezuelan doctor dares journey.
''Pregnant women in these neighborhoods have
never been to the doctor for prenatal care, and
give birth at home on the floor,'' said Rafael
Vargas, a former Chávez chief of staff
who now runs the Cuban doctor program. "There
are 10-, 14-year-old kids who have never been
to the dentist.''
In Cipres, Dr. Félix Ramón Viltres
Gutiérrez works in a clinic in the back
of a grocery store, where a 101 Dalmatians cartoon
bed sheet separates the waiting from the potato
chips.
His one-room office has a shelf with neat piles
of medicines and a desk. In 2 ½ months,
he has seen 1,000 patients, who suffered mostly
from asthma, diarrhea, parasites and hypertension.
''We think what we're doing is right: helping
people,'' said Viltres, who has also worked in
Nicaragua and Haiti. As for the clamor: "That's
a political problem.''
Cuba has sent thousands of doctors and teachers
to work in poor countries all over the world in
the past decade as a sign of ''internationalist
solidarity'' with underdeveloped nations -- and
sometimes as a way of earning income for the Havana
government.
The Venezuelan government initially said that
in exchange for the doctors' services, Cuba received
preferential oil prices, but Vargas said there
is no such swap. The doctors, he said, are paid
about $250 a month by Venezuela.
Viltres came under fire this month when the fiercely
anti-Chávez media reported that a child
he had seen later died of meningitis. It turned
out that while Viltres was the first to see the
7-year-old, several Venezuelan doctors had seen
him as well.
The Venezuelan doctors association has filed
a complaint in court seeking to bar the Cubans
from practicing. They have been quick to cite
alleged cases of malpractice, arguing that the
Cubans are under-qualified and unlicensed.
''We're not xenophobes,'' said Douglas León,
president of the Venezuelan Medical Federation.
"We have information that these people, almost
100 percent of them, are not doctors. These are
people masquerading as doctors, wearing white
robes with stethoscopes around their necks.''
The Venezuelan Medical Federation asserts there
are 9,000 unemployed or under-employed physicians
in this country, so there was no need to hire
the Cubans. The government says it placed four
ads seeking doctors, and there were few takers.
The Cubans, Chávez claims, have saved 300
lives.
'THANK YOU, FIDEL'
''The program has been doing an extraordinary
job,'' he said in a recent speech. "Thank
you, Fidel.''
The absence of Venezuelan doctors in crime-plagued
barrios underscores the very factors that helped
put Chávez in power. Although Venezuela
is the world's fifth-largest oil exporter, at
least 70 percent of its populace lives in poverty,
and half endures extreme poverty.
Chávez, a former paratrooper, swept into
office five years ago promising to change all
that. He calls the rich ''the squalid ones,''
and says they do nothing to help the poor.
His critics note that the number of poor rose
under his government, and surveys show he has
a 30 percent approval rating.
When Chávez was briefly ousted in a military
coup last year, it was the desperately poor who
came down from the hills to demand his return.
And as unemployment rises along with inflation,
Chávez now needs their support as his critics
push for a recall referendum.
''They are as much about indoctrinating as they
are about providing services,'' Miguel Diaz, an
analyst at the Center for Strategic and International
Studies in Washington, said of the program.
"I compare it to missionaries. They teach
and provide healthcare, but at the expense of
suffering through their preaching.''
''I think Chávez is using the Cuban doctors
for political purposes,'' Diaz said. "On
the other hand, the fact that Venezuelans themselves
have never provided support to the marginal communities
that the Cubans are now serving speaks a lot to
what divides Venezuela.''
The State Department has kept an eye on the issue
since the literacy trainers began arriving earlier
this summer.
''We support people who want to learn to read
and write,'' a State Department official said.
"But we're concerned over the increasingly
close ties between the two countries. We expect
the Cuban trainers will be limited to their literacy
camp.''
Vargas scoffs at the outcry. The oligarchs, he
said, are simply against Chávez's revolution
on behalf of the poor.
Paraguay abuzz over Castro's arrival
By KEVIN G. HALL. Knight Ridder
News Service. Posted on Wed, Aug. 13, 2003.
CIUDAD DEL ESTE, Paraguay - The expected arrival
of Fidel Castro for Friday's presidential inauguration
in Paraguay is causing a stir in the tiny South
American nation that like Cuba was once ruled
for more than three decades by a dictator.
Considered a hero in much of Latin America for
standing up to the United States, Castro causes
commotion nearly anywhere he visits.
In Paraguay, where the vice president was assassinated
in March 1999 without police ever catching the
intellectual author of the crime, Castro's visit
has sparked security concerns.
AWASH IN RUMORS
Paraguay has been awash in rumors about assassination
plots ahead of the Cuban strongman's visit, with
some Cuban nationals briefly detained in Asunción
on Monday but apparently later released.
Paraguay's military is expected on the streets
for Friday's inauguration of Nicanor Duarte Frutos,
and Paraguayans are being asked to avoid protests
during the visit of heads of state.
Castro provoked chaos in Argentina during the
inauguration of President Néstor Kirchner
in late May, drawing large crowds outside his
hotel and forcing the cancellation of a speech
planned for the University of Buenos Aires law
school. The small auditorium was overrun by stampeding
students, and Castro moved his speech outside
hours later on the steps of the university and
spoke to the masses for three hours in the bitter
cold without an overcoat.
FULL-PAGE EDITORIAL
The leading Asunción daily ABC Color on
Tuesday published a full-page editorial saying
that Castro should not be given the red-carpet
treatment that he received in Argentina. The editorial,
titled The Unwelcome Visit by a Political Dinosaur,
reminded Paraguayans that, like the Cuban people,
they too were ruled for decades by a dictator.
Gen. Alfredo Stroessner's brutal right-wing military
government ruled for 35 years, falling in 1989.
The ABC Color editorial said "we can only
ask if those who today are ready to receive with
honors and adulation the Cuban dictator would
have thought the same if it was Castro who governed
our country with the same bloody methods.''
The editorial added: "In Cuba, there is
not even recognition for the people of the only
rights that the Constitution of 1844 recognized
for Paraguayans: to have their complaints heard
and to freely leave the country, which in practice
has been converted into an immense prison.
Collectors of Cuban art get costly education
in forgeries
By Jay Weaver. Jweaver@herald.com.
Posted on Sun, Aug. 10, 2003.
On the eve of a major Latin American art sale
in 1997, Christie's abruptly pulled six Cuban
paintings valued at $500,000 because they were
suspected to be fakes.
The New York auction scandal exposed a dirty
little secret: Forgeries of pre-Castro paintings
by Wifredo Lam and other Cuban masters were polluting
the world's art market. And the troubling trend
hit hardest in the one community with the closest
links to Cuba -- Miami.
Among the rich-and-famous collectors who became
victims -- two of Miami Beach's most celebrated
exiles, Emilio and Gloria Estefan.
''You have to be very careful,'' said Axel Stein,
director of the Miami office of Sotheby's, one
of Christie's competitors in the lucrative art
auction business. "We have seen collections
of Cuban paintings . . . and they are worth zero
dollars.''
The Cuban art market has become so tainted that
some Miami connoisseurs have spent thousands of
dollars to hire forensic analysts, just like those
who help police crack crimes.
Such experts test canvases, primers and pigments
to determine whether prized paintings of the Vanguardia
era, from the late 1920s to the early 1950s, are
forgeries.
POOR DOCUMENTATION
The root of the problem: During the modernist
movement's boom in the last decade, Cuba's isolation
under Fidel Castro's rule has made documenting
a painting's authenticity a challenge.
Scholarly records, exhibit histories and reputable
experts are scarce.
At the same time, Miami has turned into a bazaar
for Cuban art and a battleground for lawsuits.
Gallery owners and art lovers -- including Ramón
Cernuda, who has the largest Vanguardia collection
outside the island -- have filed a half-dozen
suits against one another over allegedly forged
works of Amelia Peláez, Mario Carreño
and other Cuban modernists.
Other forgery victims have dealt with their embarrassing
purchases more quietly.
The Estefans, former ambassador Paul Cejas and
businessman Francisco Mestre got burned when they
unwittingly paid in the six-figure range for forgeries
of Lam and Peláez paintings, according
to people familiar with the sales.
MATTER RECTIFIED
But they were able to use their clout to recover
their investments by getting their money back
or authentic paintings of equal value, the sources
said.
The Estefans and Cejas could not be reached,
and Mestre did not want to comment.
Sotheby's Stein said that before anyone buys
or sells a valuable painting, it's essential to
establish its provenance, or custody history.
The artwork's commercial viability largely depends
on tracing its ownership.
For example, Stein said, Sotheby's in New York
sold El Guitarrista (The Guitar Player), painted
in 1944 by Carreño, for a record $456,000
in May, primarily because it had only two previous
owners.
But some of the alleged Cuban fakes sold in Miami
have been difficult to trace.
Skeptical buyers have insisted on certificates
of authenticity from gallery owners. That, however,
has led to another kind of forgery.
PAPERWORK DISPUTED
Some recent sales have come with dubious certificates
of authenticity purportedly signed by a respected
Vanguardia curator who has worked for decades
for Havana's National Museum of Fine Arts.
In Miami court documents, however, curator Ramón
Vázquez Díaz swore the certificate
featuring his name to verify a 1941 Carreño
painting is a fake, lending support to the buyer's
complaint that the artwork is a forgery.
Ecuadorean businessman David Goldbaum bought
the painting for $150,000 from Coral Gables gallery
owner José Martínez-Cañas
of Elite Fine Art.
Goldbaum traveled to Cuba in June to meet with
Vázquez and obtain his sworn statement.
''I affirm categorically that the certificate
of authenticity written by hand on the back of
a photograph of Mujer en balancín (Woman
on Swing), an oil painting attributed to Mario
Carreño, is not of my authorship,'' Vázquez
wrote in his affidavit.
DATE CONTRADICTED
A preliminary report on the age of the painting's
canvas, based on a radiocarbon test by a University
of Arizona physicist, also shows that it dates
from the post-1945 period.
But Martínez-Cañas insisted in
affidavits that the Vázquez certificate
and the Carreño artwork are authentic.
Christie's, however, refused to sell the Carreño
painting at auction earlier this year after learning
from the curator that he had never seen the work
and had not issued the certificate.
Martínez-Cañas, who has a criminal
history from a 1977 bank-fraud conviction in Puerto
Rico, was hit last month with another lawsuit
alleging art forgery.
Miami Beach businessman Timothy Heuer accused
the dealer of selling him a fake oil painting
by Peláez for $135,000 and giving him a
phony Vázquez certificate of authenticity.
A scientific analysis by James Martin of Massachusetts,
who specializes in testing paints and has done
work for the FBI, concluded the purported 1951
Peláez piece, Naturaleza Muerta (Still
Life), was not even an oil painting.
Martínez-Cañas said Heuer's suit
is off the mark.
CURT STATEMENT
''The painting is good,'' he said, declining
further comment.
In Florida, gallery owners are not licensed.
A dissatisfied buyer can sue a dealer over a questionable
painting up to four years after the purchase.
Auction houses such as Christie's and Sotheby's,
by comparison, offer a five-year guarantee, but
buyers must prove an artwork is counterfeit.
Luis Quevedo, a Coral Gables aviation executive,
is trying to do just that after buying a purported
1946 Carreño painting, Los Músicos
(The Musicians), for $45,795 from La Boheme Fine
Art in Coral Gables.
The gallery owner, Ivan Hanuszkiewicz, wrote
that it was an ''original'' on the invoice.
But Quevedo became suspicious after consulting
with Cernuda. Then Quevedo hired the University
of Arizona lab to conduct a carbon test on the
work's fabric and New York scientific researcher
Eugena Ordoñez to analyze the pigment.
''The results from the inorganic pigment analysis
and the fabric analysis indicate that the earliest
date that the painting could have been made would
be the late 1950s,'' Ordoñez wrote.
WENT TO COURT
Quevedo demanded his money back. The gallery
owner refused. Quevedo went to court.
La Boheme's attorney, Pedro Martínez-Fraga,
a collector of Vanguardia art himself, described
the suit as a ''dispute over a date'' and called
it "frivolous.''
Gary Nader, a pioneer in the Latin American art
market who owns a Coral Gables gallery, said buyers
and sellers can never be too careful.
''If I'm not 100 percent sure, I don't want to
sell them,'' Nader said. "There are so many
things that give them up.''
He said, for instance, that he rejected about
60 Cuban paintings submitted for his January auction
because he considered them forgeries just by looking
at their styles, colors and the artists' signatures
in photographs.
Nader said that over the past decade, he received
so much fake Lam artwork for consignment that
it became an "epidemic.''
He collaborated with the artist's widow, Lou
Laurin Lam, to try to put a stop to it by documenting
the provenance of her late husband's paintings
for the official Catalogue Raisonné, considered
the bible of the art world.
Despite such precautions, he said, Miami's marketplace
for Cuban art forgeries persists with apparent
impunity.
Said Nader: "What is lacking is the right
system that punishes people who sell fake art.''
Herald translator Renato Pérez contributed
to this report.
One man's crusade against fakery
By Jay Weaver. Jweaver@Herald.Com.
Posted on Sun, Aug. 10, 2003
Ramón Cernuda is known as the largest
private collector of 20th century Cuban paintings
in the world.
The Miami exile is also known as a rebel who
promotes the island's artists and crusades against
forgeries.
''I know this is going to sound self-serving,
but it's my duty and obligation to defend Cuban
art,'' Cernuda said.
That attitude has led to trouble with conservative
exiles, federal prosecutors and gallery owners.
When he was on the board of Miami's Cuban Museum
of Arts and Culture, it held a controversial 1988
auction of paintings by artists who still lived
in Cuba. The museum was blasted by bombs -- twice.
The following year, federal agents seized about
220 of Cernuda's paintings from his Brickell Avenue
condo, allegedly because their acquisition violated
the U.S. trade embargo against Cuba. But a judge
ruled the First Amendment protected Cuban art
in the marketplace.
Cernuda, who became rich in the publishing business,
owns nearly 450 Cuban paintings, most from the
coveted Vanguardia period before the Castro revolution.
He said he bought them from auction houses, galleries
and private collectors outside Cuba.
GALLERY LAWSUITS
During the 1990s, Cernuda, his wife, Nercys,
and others demonstrated in front of two Coral
Gables galleries, accusing them of selling forgeries.
Cernuda's group was sued -- twice.
His competitors and critics say Cernuda has tried
to control the market. He now owns a gallery on
Ponce de Leon Boulevard in the Gables, the capital
of the Cuban art world.
''I think he has good intentions, but his real
intention is to become the king of Cuban art,''
longtime gallery owner Gary Nader said.
One former gallery owner, Javier Lumbreras, called
Cernuda "vengeful.''
In 1993, Lumbreras sold him a contemporary painting,
Inundación (Flood), by Cuban artist Tomás
Sánchez for $16,000. But when Sánchez
later visited Cernuda's home, he declared, "That's
not my painting.''
Cernuda sued Lumbreras' gallery. A judge ordered
it to repay Cernuda, who is still waiting for
the money.
''I don't feel vengeful toward him,'' Cernuda
said. "I have spent hundreds of thousands
of dollars to clean up the market of forgeries.''
Case in point: Christie's auction debacle of
1997.
CANVAS QUESTIONED
Cernuda was reviewing the Christie's catalog
for its Latin American art auction in New York
and suspected some of the Cuban paintings were
fakes. In particular, he fingered a Mario Carreño
painting, Dos Mujeres (Two Women), dated 1944.
The artwork, valued at $180,000 to $220,000,
was owned by Lumbreras, although Cernuda said
he did not know that.
Cernuda and other experts convinced Christie's
to pull five of the paintings. The auction house
then had a pigment analysis done on Dos Mujeres,
which showed it may not have been painted in 1944.
Christie's yanked it.
Lumbreras sued Cernuda for defamation, offering
a certificate of authenticity by Carreño's
wife, Ida González.
Cernuda, who obtained a court order to analyze
the painting again, said new scientific tests
on the canvas, paint and artist's signature suggest
that Carreño could not have painted Dos
Mujeres in 1944.
Lumbreras sniffed at Cernuda's new evidence,
countering he had tests done that support its
originality.
''Obviously, I believe in the authenticity of
this painting,'' he said.
A Miami judge is likely to have the last word.
Herald translator Renato Pérez contributed
to this report.
|